The Drama of Edo Sumo — Kuniyoshi's Dynamic Triptych 🏆

🏆 Today we explore one of the most dynamic and exciting woodblock triptychs in Edo-period art — a ringside view of a legendary sumo bout, captured by one of ukiyo-e's greatest masters. 🎴

About the Artwork

Created ca. 1847–52 by Utagawa Kuniyoshi (歌川国芳, 1797–1861), this three-panel nishiki-e triptych captures the raw power and drama of a mid-19th century sumo match in Edo. 💪

On the right, Kagamiiwa Hamanosuke II (1809–1866) presses forward with the expression of a man sensing victory. On the left, Koyanagi Tsunekichi (1817–1858) — legendary even among sumo wrestlers for his extraordinary corpulence — is caught off-balance and grimacing. Both had achieved ōzeki status, the second highest rank in sumo. Behind them, referee Shikimori Kiichirō watches intently, while presiding judge Sakaigawa Namiemon calmly observes from the right. 🌸

Sumo in Edo-Period Japan

Sumo in the Edo period was far more than sport — it was a deeply ritualized spectacle rooted in Shinto tradition. The gyōji (referee) performed purification rituals before each bout and signaled the start with a war fan (gunbai), while the shinpan (judges) sat around the ring and could overrule the referee's decision. These traditions survive to this day in professional sumo tournaments. ⛩️

About the Artist: Utagawa Kuniyoshi

Utagawa Kuniyoshi (1797–1861) is best remembered for his warrior prints of meticulous detail and vigorous composition. His experience depicting warriors in violent confrontation made him the perfect artist to capture the explosive energy of sumo — and he produced several celebrated sumo triptychs in the 1840s, of which this is a prime example. 🎭

Explore the Atelier UKIYO Collection

At Atelier UKIYO, we celebrate the full range of ukiyo-e art through premium art prints inspired by the masters of the Edo period. 🌸 Available as posters, framed prints, apparel, and accessories.